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This "work-in-progress" aims to investigate the Rudall & Rose Patent Head, designed and marketed by that leading 19th century flute company. This head attempted to deal with the wide range of pitches which might have been encountered in this time, firstly by providing a very long tuning slide (extendable by 30mm and therefore by about 30 Hz) and secondly, by automatically moving the stopper at the same time as extending the slide, to keep the two in their most harmonious relationship. We will attempt to identify the reasons why the head was thought to be needed, how it worked, how well it worked and what it can tell us about the flute of the time. While our investigation proceeds, here are a few images and notes to dwell upon ...
The Rudall & Rose Patent Head under
examination. Note:
The Entrails ...
From the top (enumerated from left to right):Line 1: brass anti-rotation key (1) and the copper head liner (2) Line 2: the head (2) with its two end rings Line 3: the inner slide, silver sleeve, barrel top ring, and barrel Line 4: screws to secure flange to top of head (1), flange (2), screws to secure cap to disc (3), screws to secure boss to top of inner slide (4), pin to secure disc to shaft (5), ring for lower end of barrel (6) Line 5: embossed cap (1), brass ring to strengthen top of head
(where screws secure flange) (2), steel shaft (3), boss (4), disc
(5), stopper (6). OperationRotating the cap (L5-1) rotates the disc (L5-5) attached to it by screws (L4-3). The disc is pinned (L4-5) to the shaft (L5-3) which rotates in the flange (L4-2). The flange is secured by screws (L4-1) which pass through the ring (L5-2), the top of the head (L2) and the top of the head liner (L1-2). The shaft has two threaded sections with different rates. The larger, faster section drives a boss, (L5-4) secured in the top end of the inner slide (L3-4) by three screws (L4-4). The thinner, slower end section engages with and drives the stopper (L5-6). The stopper takes the form of a cylinder of brass with a flange near its centre. The flange is threaded to take the shaft. A silver disc is attached at the embouchure end, and the outside of the cylinder is covered with cork to seal the bore. As the shaft rotates, it moves the inner slide at a high rate,
and the stopper at a slower rate. Things to note in the image above:
The EngineTo make the operation a little clearer, here is an image of the inner active parts separately assembled. From left to right:
What actually happens?The table below shows that the distance from the centre of the embouchure to the face of the stopper decreases by 5mm as the slide is extended from fully in to its maximum extension of around 30mm.
If you have information to add about the Patent Head, or questions you'd like us to try to answer, please contact us. Back to McGee Flutes home page...
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